Monday 8 April 2013

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Source Google.com.pk
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Many of the Animals' hits had come from Brill Building songwriters recruited by Mickie Most; the group, and Burdon in particular, felt this too creatively restrictive. As 1965 ended, the group ended its association with Most, signed a new deal with their American label MGM Records for the US and Canada, switched to Decca Records for the rest of the world and MGM Records producer Tom Wilson, who gave them more artistic freedom.[8] In early 1966 MGM collected their hits on The Best of the Animals; it became their best-selling album in the US. In February 1966, Steel left and was replaced by Barry Jenkins. A leftover rendition of Goffin-King's "Don't Bring Me Down" was the last hit as the Animals. For the single "See See Rider" the band changed its name to Eric Burdon & the Animals. By September 1966, this lineup of the group had dissipated.
Burdon began work on a solo album, called Eric Is Here, which also featured Burdon's UK number 14 solo hit single, "Help Me, Girl", which he heavily promoted on TV shows such as Ready, Steady, Go! and Top of the Pops in late 1966. Eric Is Here was Burdon's final release for Decca Records.
By this time their business affairs "were in a total shambles" according to Chandler (who went on to manage Jimi Hendrix) and the group disbanded. Even by the standards of the day, when artists tended to be financially naïve, the Animals made very little money, eventually claiming mismanagement and theft on the part of their manager Michael Jeffery.
[edit] Second incarnation
Eric Burdon & the Animals in 1967
Foreground: Eric Burdon
Background (L-R): Danny McCulloch, John Weider (in striped shirt), Vic Briggs, and Barry JenkinsA group with Burdon, Jenkins, and new sidemen John Weider (guitar/violin/bass), Vic Briggs (guitar/piano), and Danny McCulloch (bass) were formed under the name Eric Burdon and Animals (or sometimes Eric Burdon and the New Animals) in December 1966 and changed direction. The hard driving blues was transformed into Burdon's version of psychedelia as the former heavy drinking Geordie (who later said he could never get used to Newcastle "where the rain comes at you sideways") relocated to California and became a spokesman for the Love Generation.
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Source Google.com.pk
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Formed in Newcastle upon Tyne during 1962 and 1963 when Burdon joined the Alan Price Rhythm and Blues Combo, the original line-up was Eric Burdon (vocals), Alan Price (organ and keyboards), Hilton Valentine (guitar), John Steel (drums), and Bryan "Chas" Chandler (bass).[1][2]
They were dubbed "animals" because of their wild stage act and the name stuck.[3] The Animals' success in their hometown and a connection with Yardbirds manager Giorgio Gomelsky motivated them to move to London in 1964 in the immediate wake of Beatlemania and the beat boom take-over of the popular music scene, just in time to play an important role in the so-called British Invasion of the US music charts.
The Animals performed fiery versions of the staple rhythm and blues repertoire, covering songs by Jimmy Reed, John Lee Hooker, Nina Simone, and others. Signed to EMI's Columbia label, a rocking version of the standard "Baby Let Me Follow You Down" (retitled "Baby Let Me Take You Home") was their first single.[4]
It was followed in June 1964 by the transatlantic number 1 hit "House of the Rising Sun". Burdon's howling vocals and the dramatic arrangement, featuring Alan Price's haunting organ riffs, created arguably the first folk rock hit.[5][6] There is ongoing debate regarding the Animals' inspiration for their arrangement of the song, which has variously been ascribed to prior versions by Bob Dylan, folk singer Dave Van Ronk, blues singer Josh White (who recorded it twice in 1944 and 1949), and singer/pianist Nina Simone (who recorded it in 1962 on Nina at the Village Gate).
The Animals' two-year chart career, produced by Mickie Most, featured intense, gritty pop music covers such as Sam Cooke's "Bring It On Home To Me" and the Nina Simone-popularised number "Don't Let Me Be Misunderstood". In contrast, their album tracks stayed with rhythm and blues, with John Lee Hooker's "Boom Boom" and Ray Charles' "I Believe to My Soul" as notable examples

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Source Google.com.
Free Animated Wallpapers HD Biography
Wallpaper. is, in many ways, Ricky Reed. The indulgent and ever-stylish frontman is more than just a sweet pair of shades and a gold-plated microphone. He's a bona fide viral hustler, a disco ball-busting showman and an extremely gifted producer expertly blurring glitzy pop and raunchy rap with anthemic rock and electronic funk. But Wallpaper. is other things too-a raging four-piece, for one, but most importantly, Wallpaper. is you. You and me and everyone we know on our best night ever, positively #STUPiDFACEDD, champagnin' with no plans in the morning.

When first we met Ricky Reed, he was busy crushing Oakland house parties and selling CD-Rs out the trunk of his car. He'd called upon his earliest influences-P-Funk, Afrobeat, Bay Area rap, Prince-and come away with sweaty, swaggerful beats imbued with a real musicality. Meanwhile, his Lynchian video blogs (a little David and a lot of Liam) and inventive remixes and mashups earned him out-of-town props, particularly when his sax-blaring remake of Das Racist's "Combination Pizza Hut & Taco Bell" went totally freaking atomic
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Thursday 4 April 2013

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Source Google.com.pk
Free Animated Wallpapers Biography

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